Pre-Raphaelite Florence Harrison Rainbow Ghost Fairy PDF Counted Cross Stitch Pattern DIGITAL DOWNLOAD

• This product is a Digital Download of a COUNTED CROSS STITCH PATTERN. Instructions included.
• This pattern is used to sew and create a cross stitch picture.
• This is NOT a completed product. It is NOT a kit, it is a DIGITAL DOWNLOAD. Floss, fabric, and other supplies are NOT INCLUDED.
• After purchasing you can work from this digital pattern on your device or print the pattern on your own printer.
• The pattern consists of a multi-page enlarged chart that is easy to follow as you work.
• This pattern is in Black and White and uses symbols to differentiate the different threads you will use. It is NOT IN COLOR.
• See the detailed product images attached to this listing showing what you will receive and what the pattern looks like.
• Chart/Patterns use up to 40 colors of floss, which YOU must provide.
• This pattern uses Full Stitches only. No half stitches, and no backstitching necessary.
• Charted for 14 count/grid fabric and DMC Cotton Floss. Finished Size is: 11 inches (154 Stitches) by 16 inches (224 Stitches) when stitched on 14 Grid/Count Fabric.

Florence Harrison (1877-1955) was an English Art Nouveau and Pre-Raphaelite illustrator of poetry and children's books. Many of her books were published by Blackie and Sons in Scotland.

In 1905, Harrison began to work as an illustrator of her own poetry for children. The books were issued by Blackie, her chief publisher throughout her career. At this stage her illustrations combined Pre-Raphaelite influences with the practices of fin-de-Siecle poster artists, and may be compared to those of such contemporary women illustrators as Jessie M King and Anne Anderson. At best, the color plates have the luminosity and strong outlines of stained glass, while the line drawings have a decorative efflorescence.

In 1910, Harrison began to publish her illustrations to Romantic literary texts, including poetry by Christina Rossetti, Lord Tennyson and William Morris. Yet, at the same time, she contributed to popular annuals, appearing alongside Anne Anderson, Honor Appleton, Agnes Richardson, among many others. A turn to more overtly fantastic imagery was signaled by the appearance of her Elfin Song in 1912.