Jessie Willcox Smith Deluxe Treasury#1 -Three Counted Cross Stitch Patterns Charts
BONUS: 3 charts for the price of 2!
We are pleased to offer: THREE Orenco Originals Counted Cross Stitch Charts, Patterns, Graphs
- Pattern #1: Young Girl Painting Valentine. The Finished size of each chart when stitched will be: 12 inches (168 stitches) by 14 inches (196 Stitches).
- Pattern #2: Baby Snuggles With Auntie. The Finished size of each chart when stitched will be: 12 inches (168 stitches) by 15 inches (210 Stitches).
- Pattern #3: Young Child Praying. The Finished size of each chart when stitched will be: 12 inches (168 stitches) by 14 inches (196 Stitches).
What You Receive:
You will receive 3 complete patterns.
Each pattern consists of:
- Each pattern has 2 versions of each chart both printed in black ink on bright white 11" by 17" paper. Both Charts are for 14 count fabric.
- Chart Version #1 is a single page chart. Chart Version #2 (tired eyes) is a 4-page enlarged chart that eases eye strain.
- A color illustration.
- Counted cross stitch instructions.
- List of DMC Floss colors needed to finish the project
*** This is not a Kit. No fabric or floss are included in this Purchase***
This is product is for patterns that are used to sew and to create a cross stitch picture. This is NOT a completed product. It is NOT a kit, it contains no floss or fabric.
What Inspired These Patterns:
Jessie Willcox Smith was born in the Mount Airy neighborhood of Philadelphia, Pennsylvania, in 1884. Smith attended the School of Design for Women (which is now Moore College of Art & Design), and later studied at the Pennsylvania Academy of the Fine Arts under Thomas Eakins in Philadelphia, graduating in 1888. A year later, she started working in the production department of the Ladies' Home Journal, for five years. She left to take classes under Howard Pyle, first at Drexel and then at the Brandywine School. She was a prolific contributor to books and magazines during the late nineteenth and early twentieth centuries, illustrating stories and articles for clients such as Century, Collier's Weekly, Leslie's Weekly, Harper's, McClure's, Scribners, and the Ladies' Home Journal. Smith may be most well known for her covers on Good Housekeeping, which she painted from December 1917 through March 1933. She also painted posters and portraits. Her twelve illustrations for Charles Kingsley's The Water-Babies (1916) are also well known. On Smith's death, she bequeathed the original works to the Library of Congress' "Cabinet of American Illustration" collection. A thirteenth illustration remains in a private collection. The Hall of Fame of the Society of Illustrators has inducted only 10 women since its inception in 1958. Smith was the second after Lorraine Fox. Of those ten, three of them occupied the same house, Cogslea, as the Red Rose Girls. Elizabeth Shippen Green and Violet Oakley were fellow Howard Pyle students who shared that space, which was arguably the finest assembly of illustrative talent ever in American life. Smith's papers are deposited in the collection of the Pennsylvania Academy of the Fine Arts.