- COUNTED CROSS STITCH PATTERN charted for 14 count fabric and DMC Cotton Floss. Finished size is 16 inches (224 stitches) by 12 inches (168 Stitches).
- COUNTED NEEDLEPOINT PATTERN charted for 18 Grid fabric and DMC Tapestry Wool. Finished size is 16 inches (288 stitches) by 12 inches (216 Stitches) .
- Exceptional counted cross stitch chart (floss and fabric not included).
- Chart uses 40 colors DMC Cotton Floss. Full stitches only. No half stitches and no backstitching necessary.
- We provide two charts both printed in black ink on bright white 11" by 17" paper.Chart #1 is a single page chart. Chart #2 (tired eyes) is a 4 page enlarged chart that eases eye strain.
- THIS IS NOT A KIT. No Floss or fabric are included. Purchase is for paper chart only.
This is a pattern that is used to sew and to create a needlepoint or cross stitch picture. This is NOT a completed product. It is NOT a kit, it contains no floss or fabric.
This Chart, Graph, Pattern was based upon the work of Russian Artist Issachar ber Ryback (1897-1935), Born in Yelizavetgrad Russia in 1897. He attended the Art Academy in Kiev from 1911-1916 and was an important contributor to the Kiev art scene until 1921 when he moved to Berlin where he participated in the historically important Berlin Secession exhibition. He initially experimented with Cubism and then began painting Jewish subject matter in the 1920s when critics and collectors began to appreciate his analytic Cubism and recognize his importance in the Russian vanguard movement. He was invited back to Moscow in 1925 to design costumes for the Moscow Theatre, before moving to Paris in 1926. In Paris he adopted a new style of Realism, portraying Russian Jewish “shtetl” life, bringing out the forceful, distinctive character of his Yiddish-speaking subjects without resorting to sentimentalism. Much of his collection was donated for the establishment of the Ryback Museum of Bat Yam in Israel. Ryback was an member of the Russian Jewish, modernist movement that included Lissitsky, Altman, Aronson and Chagall, all of whom were seeking to revitalize Jewish art during a period which saw the cultural efflorescence of Yiddish literature, music, theater, and art.