Sale!
$ 10.49 USD $ 13.99 USD

  • This pattern is charted for 14 grid/count fabric; finished size is 14 inches (196 stitches) by 14 inches (196 stitches); Fun DIY project.

  • THIS IS NOT A KIT. No Floss or fabric are included. Purchase is for paper chart only. You will receive two patterns printed on bright white 11" by 17" paper; Chart#1 is a single page and Chart #2 is a 4-page enlarged chart to work from.

  • Stitching should be fun! We are happy to customize the pattern to your specifications; We will rechart for different grid/fabric count or change the size; Orenco Originals patterns can be used to stitch a counted needlepoint project.

  • Orenco Originals is happy to email you a supply list detailing the DMC Floss and number of skeins needed to complete the project so you can buy or organize floss to start stitching once your pattern arrives; email us after you order.

  • Orenco Originals patterns are designed and created in the USA, and we guarantee all patterns 100%; This item is a Counted Cross Stitch Pattern that you will use to sew and create a picture; it is NOT a finished product.

This is a counted cross stitch pattern. You will have to stitch-embroider-sew to complete this project. 

No Floss or fabric are included. What you receive:  Paper Pattern in 2 sizes, Instructions, Supply list that includes the DMC floss colors and how many skeins of each color to complete the picture.

The finished size of this project when stitched is: 14 inches (196 stitches) by 14 inches (196 stitches) when stitched on 14 Grid/Count Fabric.

14 grid/count is 14 stitches per inch of fabric.

This chart was inspired by the art of Oscar Claude Monet, 1840 - 1926, who was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting. The term Impressionism is derived from the title of his painting Impression, Sunrise (Impression, soleil levant). Painting outdoors, he broke the tradition of portraying a subject literally by conveying the fleeting effects of atmosphere, time of day, and season upon color and light. Eliminating black and gray from his palette, he represented natural color like a prism, breaking it down into its individual components, often painting a series of the exact same view under different light and weather conditions. Monet brought the study of the transient effects of natural light to its most refined expression, ultimately becoming a forerunner of 20th century modernism.